Whether you listen while driving to work, preparing Shabbat dinner, or taking your kids to school, each episode will give you a new story to reflect on and discuss with the people in your life. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Tooltip code copied to clipboard. The other one is an entrepreneur who works on making advanced data systems available to everyone. Stories We Tell has an intricate structure of narrative levels that questions its own factual accuracy. [13], Writing for RogerEbert.com, film critic Sheila O'Malley gave the film four out of four stars, calling it "[a] powerful and thoughtful film[that] is also not what it at first seems, which is part of the point Polley appears to be interested in making. Sign up for our Email Newsletters here. About the editor: Patsy Sims is These are the stories we use to narrate our lives. It's a brilliant film: an enthralling, exquisitely layered masterpiece of memoir that unravels an extraordinary world of family secrets through a maze of interviews, home movies, and faux home movies cast with actors. Truth, storytelling and family are intrinsically linked - for example: Polleys presentation of conflicting ac You must be a registered user to use the IMDb rating plugin. Especially, if you like fiction stories, this is your place! Sarah Polley 's fascinating documentary, "Stories We Tell," is ostensibly about her mother, Diane Polley, who died in 1990. The National Film Board of Canada Family and friends from all corners step up to the plate and what's heard are a melding of scripted order and the unscripted nature of each individual and their memories of the events that unfolded. The real people tell their stories and actors portray history with an uncanny authenticity. None of the characters is terribly interesting. Or to write a story whose kernel is a secret even from ourselves. The website's critical consensus states "In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery.". Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. [27], Stories We Tell was released theatrically in Canada starting October 12, 2012. We all have stories to tell, but some of us feel compelled to write them down, to give them shape, to heighten the drama, maybe steal someone elses story, to lie a little or a lot. Read about us. [15], On October 20, Stories We Tell received the Grand Prix Focus for best feature film in the Festival du nouveau cinma's Focus category. Forbidden Love: The Unashamed Stories of Lesbian Lives, Just Watch Me: Trudeau and the '70s Generation, Volcano: An Inquiry into the Life and Death of Malcolm Lowry, The Colours of My Father: A Portrait of Sam Borenstein, Fiction and Other Truths: A Film About Jane Rule, Unveiled: The Mother/Daughter Relationship, Htel Terminus: The Life and Times of Klaus Barbie, National Board of Review Award for Best Documentary Feature, Hearts of Darkness: A Filmmaker's Apocalypse, Paradise Lost: The Child Murders at Robin Hood Hills, Toronto Film Critics Association Award for Best Documentary Film, Toronto Film Critics Association's Rogers Award for Best Canadian Film, The Body Remembers When the World Broke Open, https://en.wikipedia.org/w/index.php?title=Stories_We_Tell&oldid=1019565151, Best Documentary Film Genie and Canadian Screen Award winners, National Film Board of Canada documentaries, Short description is different from Wikidata, Articles with unsourced statements from May 2017, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 April 2021, at 01:58. [22][23] On February 1, 2014, the film received the Writers Guild of America Award for Best Documentary Screenplay. A young woman witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people's lives. [8] It was also named the 70th greatest film since 2000 in a 2016 critics' poll by BBC. [20] In October 2013, Stories We Tell received the Allan King Award for Excellence in Documentary at the Directors Guild of Canada Awards in Toronto. Judaism has a deep and rich tradition of storytelling, of passing down stories from one generation to the next. Judaism has a deep and rich tradition of storytelling, of passing down stories from one generation to the next. A happily married woman falls for the artist who lives across the street. Add the first question. [9], The film looks at the relationship between Polley's parents, Michael and Diane Polley, including the revelation that the filmmaker was the product of an extramarital affair between her mother and Montreal producer Harry Gulkin. Everybody has a story. The National Film Board of Canada. Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. In general, but especially when it comes to explaining their own financial success and economic well being. On March 3, 2013, it was named best feature-length documentary at the 1st Canadian Screen Awards. Sarah Polley investigates the truths and buried secrets of her family of storytellers, and the questions it raises about her life. Can [5][11] Polley began work five years before completing the documentary, taking many breaks in between. [25][26] It was among the 15 films shortlisted for the 2013 Academy Award for Best Documentary Feature. Stories We Tell reminds me that what one family thinks is interesting is simply banal drivel for the rest of us. We need to ensure those stories Stories We Tell At times it's an interview, at others it's a humorous interrogation; we witness the mystery unfolding in a truly compelling, warm and emotional fashion. It delivers the reality and the real people involved without bogging down the narrative. Stories We Tell premiered August 29, 2012 at the 69th Venice International Film Festival, then played at the 39th Telluride Film Festival and the 37th Toronto International Film Festival. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. The film explores her family's secretsincluding one intimately related to Polley's own identity. Need some help finding the best things to watch on Netflix? An eccentric ball of energy with the appearance of an open book, she might have really been a big mystery and her secrets could cause a rift throughout all those connected. It's fascinating to see how we all perceive moments and how our memories contain them. Written by The National Film Board of Canada Plot Summary | Add Synopsis Search for "Stories We Tell" on Amazon.com, Title: In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley discovers that the truth depends on who's telling it. One of us is a Ph.D. in literature and studies how the technologies we use and the stories we tell ourselves relate. Stories We Tell is clearly a form of creative catharsis for Polley. The above tooltip code may be used when posting comments in the Eorzea Database, creating blog entries, or accessing the Event & Party Recruitment page. Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). The mother was married twice, had at least one affair that resulted in a daughter who made the documentary. While analysing the themes in isolation can provide a good foundation for success studying Stories We Tell, looking at how they interact and interrelate enables students to demonstrate their higher-order skills. The film had a limited release in the U.S. beginning May 17, 2013. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story. [3][4][5][6][7] In 2015, it was added to the Toronto International Film Festival's list of the top 10 Canadian films of all time, at number 10. Stories We Tell is a poignant experience for the viewer and was more painful for the director. Welcome to Stories We Tell !!! Hey Lady. On one level, the documentary is a poignant family story that reveals unexpected secrets through the interviews with the Polley family. The film explores her family's secretsincluding one intimately related to Polley's own identity. Among our stories there will be dominant ones stories we tell ourselves, those others tell us or those we tell other people. The stories we tell articulate who we are; it is how we remember the things we deem important; it is how we teach those that go ahead of us. Sarah Polley has set the stage in mind for many years to tell a simple story. Much like the process of forming a story, things are always taken back to the storyboard and new influences are introduced. It is all written by a non-professional writer, but with a lot of imagination, creativity, and love for writing. A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home. It took five years and tormented me. This is rich and affecting storytelling at it's finest. A family that survived the genocide in Indonesia confronts the men who killed one of their brothers. And its true: history teach- articulate and refine their own understanding of history with the help ers can hardly avoid telling stories. [24], Stories We Tell was nominated for a 2013 Cinema Eye Honors award and a 2013 International Documentary Association award. [16] In December, the film was included in the Toronto International Film Festival's list of "Canada's Top Ten" feature films of 2012. Sarah Polleys writing and directing achievements in Away from Her (2006) and Alias Grace (2017) display her mature talents, and her 2012 documentary Stories We Tell is an even more astonishing case of cinematic truth-telling. Stories We Tell opens in New York May 10 th, before expanding to select cities on May 17 th. Was this review helpful to you? Don't ever tell a 75 year old to go quietly into the night. Let our editors help you find what's trending and what's worth your time. Keep track of everything you watch; tell your friends. [db:quest=258a2cceb42]Stories We Tell[/db:quest] Copy Tooltip Code to Clipboard. Her playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a profound portrait Doctors Jo Wilson, April Kepner, and Andrew DeLuca share the episodes they think are essential to understanding their characters. Two thirteen year-old working-class friends in Bradford seek fortune by getting involved with a local scrap dealer and criminal. She playfully interviews and interrogates a cast of characters of varying reliability, eliciting refreshingly candid, yet mostly contradictory, answers to the same questions. Sarah ultimately made the natural choice to deliver this story by simply setting the basis and allowing each party to tell the story as they know it, in every detail from each individual memory.Stories We Tell works a unique twist on the documentary format and allows the audiences into the life of the family and friends who knew the filmmakers mother, Diane Polley. Written by When used, a tooltip* will be displayed in your comment. The Stories We Tell is part of The Sager Groups Women in Journalism series, which honors the contributions women have made (and continue to make) to the evolution of graceful literary reportage in America and around the world. Different characters have different takes and yet the feelings resonate the same.Sarah Polley took the right path and remained on the sideline and behind the camera until it was absolutely paramount. (2012). [8], On January 8, 2013, Stories We Tell received the $100,000 prize for best Canadian film at the Toronto Film Critics Association Awards,[19] after having been named best documentary by the association the previous month. Stories We Tell ReformJudaism.org Judaism 4.8 91 Ratings; Listen on Apple Podcasts. Stories We Tell is an inspired, genre-twisting film by Oscar-nominated director Sarah Polley, and produced by Anita Lee for the NFB. Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes. tell stories that assign meaning to the past while allowing students to But we all tell stories, it will be said. The faux home video footage appears exceptionally authentic due to the performers close resemblance to the real-life characters. This feature documentary is an inspired, genre-twisting film directed by Oscar-nominee Sarah Polley. In his August 29 Maclean's blog post, Johnson, one of the film critics who'd kept Polley's secret, wrote: Now that I've seen her documentary, which premieres in Venice next Wednesday, I'm glad I didn't spill the beans. The link between the two is a story we tell; a story that contains our identity. For our purposes here, Ill be speaking in Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell premiered August 29, 2012 at the 69th Venice International Film Festival, then played at the 39th Telluride Film Festival and the 37th Toronto International Film Festival. To carry on that tradition, "Stories We Tell" will share a new story with you every Thursday. [28], New York Film Critics Circle Award for Best Non-Fiction Film, National Board of Review Award for Best Documentary Film, Los Angeles Film Critics Association Award for Best Documentary Film, Writers Guild of America Award for Best Documentary Screenplay, Academy Award for Best Documentary Feature, "Sarah Polley reveals secrets behind Stories We Tell", "Exclusive: TIFF to host Polley's "Stories," Kastner's "Disco, "Toronto 2012: Sarah Polley's 'Stories We Tell' Trailer Teases Poignant Personal Tale", "Michael Winterbottom, Noah Baumbach, Sally Potter, Sarah Polley & Ramin Bahrani Lead 39th Telluride Film Festival Program", "Atanarjuat voted No. "[14], Rotten Tomatoes gives the film an approval rating of 94% based on 131 reviews, with an average rating of 8.6/10. [17][18] In 2015, it was added to the festival's list of the top 10 Canadian films of all time at number 10. In her blog post on the NFB.ca website, Polley reveals that several journalists including Brian D. Johnson and Matthew Hays had known about the story of her biological father for years, but respected Polley's wish to keep the matter private until she was ready to tell her story in her own words.[12]. The Stories We Tell Lendol Calder His widely discussed 2006 article in the Journal of American History , Uncoverage: Toward a Signature Pedagogy for the History Survey, described methods for deepening student understanding of the past by demystifying routines of historical thought. Pourquoi l'trange Monsieur Zolock s'intressait-il tant la bande dessine? If you can't figure out which is which, you're not listening very closely. Stories We Tell is a 2012 Canadian documentary film written and directed by Sarah Polley and produced by the National Film Board of Canada (NFB). The Stories We Tell. Polley's playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a touching and intriguing portrait of a complex network of relatives, friends, and strangers. - starring Jayne Eastwood - is a 8x5min comedy series about a wiry old gal with a whiskey voice and a bourbon appetite, See full summary. Stories We Tell is a project of the Union for Reform Judaism, a leading voice in the discussion of modern Jewish life. It's a wonderful case study on human beings and how we shape ourselves throughout a lifetime and the events that can change our lives forever. Making this film was the hardest thing Ive ever done, Polley wrote on the National Film Board of Canada blog. Stories We Tell continues to weave a sprawling tapestry that, like family, feels so much more significant when considering the contextand Polley unyieldingly layers contexts and perspectives to frame the multiple sides of each situation to uncover ideal truths and question the ethical validity of controlling this history. For Wilhelm Schapp , there is no difference between a human and the tales a human tells of him-, her-, or X-self. View production, box office, & company info. Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions. Use the HTML below. 1 Canadian film of all time", "Sarah Polley doc Stories We Tell: When blood is thicker than gossip", "Stories We Tell: A post by Sarah Polley", "Stories We Tell Movie Review & Film Summary (2012) | Roger Ebert", "Polley, Cronenberg, Mehta films named to Canada's Top Ten", "Canada's Top Ten Toasts the Nation's Best Films of 2012: Cronenberg, Polley, Nguyen and Mehta Among Filmmakers Recognized", "Sarah Polley doc wins Toronto critics' $100K prize", "Sarah Polley's intimate family tale Stories We Tell gets a PR push for the Oscars", "Who Was Helped (and Who Wasn't) by Week's Slew of Awards Announcements (Analysis)", "Sarah Polley's 'Stories We Tell' wins Writers Guild award", "Cinema Eye Honors Announces Nominees for 7th Annual Nonfiction Film Awards", "2014 Oscars Best Documentary Short List Revealed", "Film Release Chart 5/10/2013 - 8/2/2013", The Inquiry Film: A Report on the Mackenzie Valley Pipeline. A powerful and thoughtful film, it is also not what it at first seems, which is part of the point Polley appears to be interested in making. A devastating and heart-rending take on grizzly bear activists Timothy Treadwell and Amie Huguenard, who were killed in October of 2003 while living among grizzly bears in Alaska. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. A daughter helps her father prepare for the end of his life. A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Rated PG-13 for thematic elements involving sexuality, brief strong language and smoking, Participant Promotes Laura Kim to EVP of Marketing, Laura Kim Promoted To Marketing EVP At Participant, Why the HFPAs Token Gesture of Adding 13 Black Journalists Wont Fix the Golden Globes, Holiday Streaming Picks: Surprise and Delight, Top Documentaries of the Last Decade (2010-2019), Biggest surprise of the 2014 Oscar nominations, Women Make Film: A New Road Movie Through Cinema. This FAQ is empty. [citation needed] The cast in the Super-8 re-creations includes Rebecca Jenkins as Diane, who had died of cancer on January 10, 1990 the week of Polley's 11th birthday. Sign Up: Stay on top of the latest breaking film and TV news! Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. May 6, 2021 6 min read therealheisenberg. Here you will find short stories, reflective texts, and book reviews. Copy to clipboard failed. In 2015, it was added to the Toronto International Film Festival's list of the to A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems. STORIES WE TELL is a "riveting" (LOS ANGELES TIMES), "unmissable" (ROLLING STONE) genre-twisting film by Oscar- nominated director Sarah Polley. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the large Genre: Documentary. The Stories We Tell. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story. [21] In December 2013, the film received the New York Film Critics Circle Award for Best Non-Fiction Film, the National Board of Review Award for Best Documentary Film, and the Los Angeles Film Critics Association Award for Best Documentary Film. Want to share IMDb's rating on your own site? Get a sneak peek of the new version of this page. 28 of 38 people found this review helpful. In Stories We Tell, Sarah Polley plays with the documentary format to explore the nature of memory and storytelling, crafting a thoughtful, compelling narrative that unfolds like a mystery. [10] It incorporates interviews with Polley's siblings from her mother's two marriages, interviews with other relatives and family friends, Michael Polley's narration of his memoir, and Super-8 footage shot to look like home movies of historical events in her family's life. A film that excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers. 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