(From: Lange's "The Assignment I'll Never Forget: Migrant Mother," Popular Photography, Feb. 1960). Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation; The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Nipomo, California." Show your images to friends or classmates and see how they react. The Library of Congress titled the image: "Destitute pea pickers in California. Created: 1998 The Migrant Mother is an important photograph, not just because of the story it tells but because of what it doesn't tell — the things that were left out. The woman in the photograph is Florence Owens Thompson. Lange was concluding a month's trip photographing migratory farm labor around the state for what was then the Resettlement Administration. Prints & Photographs Division staff Her name was Florence Thompson. Soixante-dix ans plus tard, on revient sur l’histoire de cette image. Use our online form to ask a librarian for help. You should not assume endorsement by the federal government. Her work earned her a job with one of Franklin Delano Roosevelt’s New Deal programs—the Resettlement Administration (later renamed the Farm Security Administration)—in 1935. (33.81 x 26.19 cm) (image) 13 7/8 x 11 in. David Hodge January 2015. Here’s a start: Hear Dorothea Lange discuss her photographs and the difficulty of leading a visual life. The photograph that has become known as "Migrant Mother" is one of a series of photographs that Dorothea Lange made of Florence Owens Thompson and her children in March of 1936 in Nipomo, California. Out of the thousands of images she made, why does this have such universal appeal? Date Created: 1936. origin: United States. The photograph popularly known as “Migrant Mother” has become an icon of the Great Depression. Humbled by the Great Depression, this song gave voice to Americans' fears and feelings of loss. Library of Congress FSA/OWI Collection. Considering its impact, it is ironic that Migrant Mother is not typical of Lange’s usual practice. The identity of Migrant Mother was not learned until 1978, when a reporter from the Modesto Bee newspaper located Thompson, then in her mid-seventies, at her mobile home outside of Modesto, California. Did you manage to communicate successfully through pictures? The craft of photography was born in … Sally Stein, ‘Passing Likeness: Dorothea Lange’s “Migrant Mother” and the Paradox of Iconicity’, in Only Skin Deep: Changing Visions of the American Self, exhibition catalogue, International Centre of Photography, New York 2004, pp.345–55, reproduced p.344. Gelatin silver print, 11 1/8 x 8 9/16" (28.3 x 21.8 cm) See this work in MoMA’s Online Collection. Mère migrante, Migrant Mother en anglais, est la photographie la plus célèbre de Dorothea Lange et une des plus connues du programme de la Farm Security Administration (FSA). Editor: While the Depression was a time of lost opportunity for most Americans, it was a time of enormous growth for Lange, who divorced her first husband, married again, and became part of a team of government photographers now celebrated for creating a moving visual document of a difficult era. 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