4,969 We have to have soldiers. COWEN: The science fiction writer Olaf Stapledon — underrated or overrated? We don’t have the tech? STEPHENSON: The problem seems to be the fact that it’s algorithmically driven, and that there are not humans in the loop making decisions, making editorial, sort of curatorial decisions about what is going to be disseminated on those networks. You would get people who just couldn’t do it, couldn’t make a very simple description of how to go from point A to point B, and others who wrote these amazing, almost like little short stories about it. STEPHENSON: I would say underrated because it’s got just crazy, random stuff in it that you almost can’t believe that you’re reading it. When a catastrophic event renders the earth a ticking time bomb, it triggers a feverish race against the inevitable. You need to have the time and the willingness to sit back for a while and be immersed in a big story universe in order to enjoy these books. Then the particular angle that I bring to that is having some background in science, math, engineering, that enables me to write stories that are driven by those kinds of ideas and that can take advantage of inherently interesting things that I stumble across in those areas. . STEPHENSON: I would probably have ended up working in some kind of tech company. Han skriver också facklitterära artiklar om teknologi i tidningar som Wired magazine och jobbar på deltid som rådgivare åt Blue Origin, ett företag (grundat av Jeff Bezos) som utvecklar ett "manned suborbital launch system" [1]. Now, in celebration of the week-long, once-in-a-decade rite of Apert, the fraas and suurs prepare to venture beyond the concent's gates -- at the same time opening them wide to welcome the curious "extras" in. COWEN: Samuel Johnson once said that when you read Paradise Lost, there is no man who wishes it were longer than it is. STEPHENSON: Well, the settlements in the New World, I don’t think are a very good analogy because there it was possible — if you’re a white person in the New World and you have some basic skills, you can go anywhere you want. But it’s not the kind of statutory freedom that we tend to talk about when we’re talking about politics and that kind of thing. Well, I’d find it fascinating to go back to the era of the Baroque Cycle just because so much was going on there. 1,207 COWEN: Are there any of your fictional worlds you actually would want to live in? In 1942, Lawrence Pritchard Waterhouse—mathematical genius and young Captain in the U.S. Navy—is assigned to detachment 2702. But the arrival of the scientific revolution and the Age of Enlightenment weakened its power and endangered its practitioners. . It’s fair to say that the racial balance doesn’t reflect that of the country as a whole, but it’s more racially diverse than the surrounding countryside, let’s say. We have the internet. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails granddaughter, Amy, to secretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat. Since I’ve advocated for the use of treadmill desks in Some Remarks and evangelized it to people I know, I thought it behooved me to publish some data and some reflections on it, born of experience. Another good example would be the Hoover Dam, which went up in no time. We think of Victorian novels as a kind of stodgy, old-school way of writing, but he was all over the map in terms of nutty, random things that he would put into his books. Profound and prophetic, hypnotic and hyperactive, Cryptonomicon is a work of great art, thought and creative daring, the product of a ingenious imagination working with white-hot intensity. . Stephenson joins Tyler to discuss the book and more, including the future of physical surveillance, how clothing will evolve, the kind of freedom you could expect on a Mars colony, whether today’s media fragmentation is trending us towards dystopia, why the Apollo moon landings were communism’s greatest triumph, whether we’re in a permanent secular innovation starvation, Leibniz as a philosopher, Dickens and Heinlein as writers, and what storytelling has to do with giving good driving directions.
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