He changed from Fender Concert Combo amps to Fender Twin Reverb II heads and added a small Gallien-Krueger 250ML amp to the rig. BOYS AND GIRLS (1985) Session with Bryan Ferry for his sixth solo album. The Fender Concert was a Paul River era Fender design. David's lead tone was similar to his 1985/1986 Deep End tone, described above, but with more mid range boost and a slightly fatter sound. David had each in this rig, but he used them a bit differently than most guitarists. video. He again used his Charvel San Dimas guitar with the EMG pickup and SPC control. In a radio interview prior to 1990's Knebworth concerts, Gilmour told Jim Ladd that "No More Lonely Nights" was the last thing McCartney recorded for the film, and that he told McCartney to give his session fee to a charity of his choice. Download Paul McCartney No More Lonely Nights sheet music and printable PDF music notes. The album only has a general performer credits, not specific to any songs, so it is unlcear which tracks David plays on, but he is definitely playing the guitar solo in Sensation, the triplet time delayed guitar and some of the lead fills in Boys and Girls, and possibly the atmospheric guitar coloring in the background of Chosen One. Sonically the SD-1 is in the same tone family as the TS, but it has a bit more low end and a bit more dirt in the distortion. Sessions rig for No More Lonely Nights in Paul McCartney's studio in October 1984. Bottom stack L and R: 1983 Fender Concert combos (1985) - Session with Bryan Ferry for the Legend movie soundtrack. GUITAR GREATS CONCERT 1984 - David used this same session rig and his '62V reissue Stratocaster from the No More Lonely Nights session a month later for the Guitar Greats concert performed in the Capitol Theater, New Jersey, on November 30th, 1984. Bb F/Bb Bb Dm You’re my guiding light Gm Bb/C C7 day or night I’m always there. -, David Gilmour played guitar on Pete Townshend's, For the 1986 performance he mostly played a custom flame top Charvel San Dimas. Run a Boss HM-2 before a Boss SD-1 Super Overdrive (with the SD-1 Drive dialed off and the Tone set around 1:30), a digital delay, Boss chorus like the CE-2 or CE-3, into a Fender Twin reverb or other clean sounding Fender amp. Interestingly, this SD-1/Mesa Boogie tone is very reminiscent of the Fuzz Face tone from David's solo in the Pink Floyd song. It was blended with the Mesa/Boogie into a Twin Reverb for the solos, the same as he was using for the Deep End concerts prior to this. BROTHER WHERE YOU BOUND (1985) Supertramp Session, from an interview by Steve Newton from Georgia Straight Newspaper, June 28, 1985, "Among players — particularly among British players — he's incredibly highly rated — adored, I'd say. "I have the synth going through a DDL and a chorus, and I also have a volume pedal for it. No More Lonely Nights Bass Tab by Paul McCartney learn how to play chords diagrams. No More Lonely Nights Solo . Kit’s Secret Guitar, Gear, and Music Page Set the SD-1 Drive knob to maximum and the tone knob to around 4:00. No More Lonely Nights chords by Paul McCartney. MXR 113 Digital Delay I suppose technically, he's very good. album and VHS video in 1986. Bbmaj7/C C Bbmaj7/C C And I won t go away until you tell me so, no I ll never go away. The sound was very much like his About Face tour. And he has a way of putting incredible feeling into everything that he does. It was strange seeing it in his rig, because a little over a year earlier he had this to say about it. For the 1986 performance he mostly played a custom flame top Charvel San Dimas with a single EMG-H pickup and SPC control. This programmable switching system was one of the first on the market in 1982. In fact, I have had the guitar synth volume pedals altered, so I can use them side by side, controlling them individually or both at the same time with just my right foot. Gm7 C Dm Bb I can't wait another day until I call you C F A7 Dm Bb C You've only got my heart on a string and everything a flutter Gm7 C But another lonley night (and another, and another) Dm Bb might take forever (and another, and another) C F A7 We've only got each other to blame Dm Bb It's all the same to me love C F Bb 'Cause I know what I feel to be right C F Bb No more lonely nights C F No more lonely nights Bb C Dm You're my guiding light Gm7 Day or night … Basically it was a Fender blackface amp with some modern updates, and one of the last hand wired amps to come from Fender. Townshend put the Deep End band together again in January 1986 for a final performance at Midem, in Cannes, France that aired on the German TV series Rockpalast and it was released on DVD in 2016. The lead tone sounded like the Boss HM-2 + Mesa/Boogie and Boss CE-3. I suppose technically, he's very good. There are several combinations that work, but the closest I have gotten is this setup: Strat with EMG-SA pickups and SPC set high, Boss HM-2 into a Mesa/Boogie Mark III amp head (used as a slightly dirty overdrive in the signal chain) set for light overdrive using the lead channel, Boss GE-7 equalizer set with a mids boost and bass/treble cut, Electro-Harmonix Electric Mistress, Boss CE-3 chorus, Boss DD-2 digital delay set for 520ms, into a Fender Twin Reverb. The Mesa/Boogie overdrive can be set identically to the 1984 and Deep End settings. It was one of several (reportedly 4 - 6) new 57V Strats from Fender's vintage reissue series purchased for his, David Gilmour from Q Magazine, September 1990, IS YOUR LOVE STRONG ENOUGH? Gilmour Guitar excerpts from Sensation and Boys and Girls. David's rig was basically the same Deep End rig from January, with the Boss SCC-700 pedal board system, Boss pedals, MXR rack effects, Mesa/Boogie amp head (with dummy speaker load), and Fender Twin Reverb II amp heads in stereo. The Slave output was renamed the Direct output, and this line was added to the Mark III owners manual - "In some sophisticated set-ups, players run their Direct into their Effects Rack and then from the Effects into other, external amplifiers. David may have also used his Boss CS-2 compressor, but it adds a lot of noise. Below is the longer solo from the extended version. Gilmour playing his serial #0001 white Strat in the video for Is Your Love Strong Enough. David probably used a cocked wah wah pedal to EQ his Fuzz Face back then to create this tone. I have found that running a ProCo Rat into a Boss BD-2 Blues Driver, instead of the SD-1 into Mesa/Boogie, is the best way to achieve this tone on a Hiwatt. The Boss SCC-700 pedal board system and Boss pedals were again used - Boss CS-2 compressor, Boss SD-1 Super Overdrive, Boss HM-2 Heavy Metal, Boss GE-7 Equalizer, Boss DD-2, and Boss CE-3. Various versions of this rig were used for live gigs and recording sessions throughout the mid-to-late 1980s. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. It is a very unique sound, and not easy to replicate. Gilmour Guitar Solo excerpt from Pink Floyd's Biding My Time - 1969, Gilmour Guitar Solos from Pete Towshend's 1985 Deep End Concerts. David's guitar work was one of the last tracks recorded. It was an early 1980s model, hand-made in the San Dimas, California shop. "From the guitar I use a Radio Transmitter system - Shaefer Vega - into a Roland/Boss pedalboard which is computerised. Print and download No More Lonely Nights sheet music by Paul McCartney. The difference is slightly less midrange than the SA model. The fact that original pedals from this era are still reliably used today is a testament to that fact. An MXR M-190 1500ms digital delay was added to the rack, replacing the MXR Delay System II, but otherwise the effects remained basically the same as the Lonely Nights rig above. David is often credited with the solos on Slave to Love, but those were actually played by Keith Scott and Neil Hubbard. LIVE AID CONCERT AND FIRST APPEARANCE OF THE V57 RED EMG STRAT IN 1985 - A modified version of the rig was used on July 13th, 1985 when Gilmour played a set of songs with Bryan Ferry's band for the Live Aid benefit concert in London's Wembley Stadium. David's rig again consisted of a Boss pedal system, MXR rack effects, a Mesa/Boogie amp head, and Fender Concert combo amps. This may be the effect from the GR700 guitar synthesizer that David described in Guitarist magazine after the sessions were complete. The GR-700 was an early attempt by Roland at making a guitar synth, but the tracking was not very good and the MIDI function was erratic. In 1986, the top selling pedals in the whole effects pedal industry were all Boss. Supertramp drummer Bob Seibenberg, about the the spur-of-the-moment idea of using David Gilmour to guest solo on Brother Where You Bound? There are numerous examples of David's stellar playing using this setup throughout the mid 1980s and early 1990s, like Warren Zevon's, Most of the time David was using the bridge pickup with this setup, but occasionally he used the neck pickup on songs such as, Kit’s Secret Guitar, Gear, and Music Page. The H was a single coil EMG in a humbucker sized housing with a ceramic magnet, rather than the Alnico magnet like the EMG-SA pickups used in David's Strats. Sometimes the tone had more mid range, sometimes less. The CE-2 chorus was the number #2 top selling pedal, but David continued to use the CE-3 for its stereo outputs, which worked better with his stereo rig. GETTING THE TONE - I have experimented for many years to find the exact setup David used for the fantastic guitar tone in No More Lonely Nights. They are very, very good pickups, they sound great, and you get no problems with buzz and hum. Or more specifically, the SD-1 combined with a Mesa Boogie head (used an an overdrive in the signal chain, not powering speakers), then into the Boss CE-3 chorus and delay. "We were sort of going, ‘Well, a Dave Gilmour-kinda thing would be neat here'...Norman our engineer went, ‘Well why the…don’t you just call up Dave Gilmour? Gilmour's first stage use of his candy apple red 57V reissue Stratocaster, purchased in January 1984. But let’s face it. The gain channel sounded a bit like an early Mesa/Boogie, but really had it's own sound. If you plug it into a DX7 for instance, and use the tremolo arm, it goes up and down in semi-tones - and that is awful!" No More Lonely Nights. Interestingly, this SD-1/Mesa Boogie tone is very reminiscent of the Fuzz Face tone from David's solo in the Pink Floyd song Biding My Time, recorded way back in 1969! The solo sounds like David again used the Boss HM-2 + Mesa/Boogie combo, with some extreme EQ applied from a Boss GE-7. He also used the Roland GR700 guitar synthesizer pedal board, but it appears only a few rack effects were in the rig. SKU: MN0110168 To create the volume swells, use a volume pedal before the delay in the signal chain, then fade the volume up and down after picking a note. Here is the Song List in the order they are heard. I was a fan of both director Ridley Scott and Tangerine Dream, so I saw Legend in the theater and bought the Tangerine Dream movie soundtrack, which included this song that played over the end credits. It was fitted with the original stock single coil pickups and a shortened tremolo arm. He also again played his CandyApple Red '57V Strat reissue and what appeared to be his cream colored '57V reissue. Here is one of my favorite Boss HM-2 setups: Boss CS-2 compressor, Boss HM-2, Cornish P-1 (or a Ram's head Big Muff) with sustain dialed off, TC Nova delay at 540ms, ambient reverb delay from a Catalinbread Echorec, into a Fender Twin reverb in the left channel and Yamaha RA-200 rotary speaker cabinet in the right. were sent to one Fender amp and a matching pair were sent to the other amp. IS YOUR LOVE STRONG ENOUGH? Add to playlist. The important thing is the way that he plays." It can be heard on the soundtrack Give My Regards to Broad Street (1984). David used his Boss SCC-700 pedal board system with Boss CS-2 compressor, Boss SD-1 Overdrive, Boss HM-2 Heavy Metal, Boss GE-7 Equalizer, Boss DD-2, and Boss CE-3, WHAT DETERMINES WHETHER YOU WILL PLAY A SESSION? David's custom Charvel San Dimas guitar with EMG-H pickup and SPC presence control. It was fitted with EMG-SA pickups and EXG/SPC controls in place of the tone knobs. 13.5M . Bb/C C Bb/C C And I won’t go away until you tell me so, no I’ll never go away. Rack - top to bottom: It can be placed before or after the SD-1 in the signal chain. (right) The Roland GR-700 Guitar Synthesizer pedal board from 1984. Paul had a series of hits throughout the 80s, most notably “Ebony and Ivory” with Stevie Wonder and “No More Lonely Nights” featuring a brilliant David Gilmour guitar solo. The DD-2 Digital Delay was at the top, with the HM-2 Heavy Metal in the number three spot. MXR Pitch Transposer Display SKU: MN0071626 No More Lonely Nights solo - Boss HM-3, mono. For the solo leads, use a 640ms digital delay, with long repeats. Download Pdf. No More Lonely Nights (Ballad) 1-1: Recording Session (Echo Bass Riff) 2:57: 1-2: Basic Track Without Overdubs: 4:12: 1-3: Eric Stewart's Backing Vocal + David Gilmour Guitar Solo: 4:14: 1-4: Film edit / Alternate Mix: 3:29: 1-5: Chris Holmes Mix 2012: 1:59: 1-6: Chris Holmes Mix 2013-2015: 2:03 My settings to get this tone are below. It was based on the Mark IIC design, has similar controls as the IIC/C+, and the clean channel sounds like an early 1970s Fender blackface (or early silverface) amp, like the Mark I. I set it for a clean tone, with some light drive. There are three versions of the song, a video version with a longer intro that includes more of Gilmour's volume swells on the guitar, the album version with a shorter intro, and an extended 7:15 minute version with a longer guitar solo released as B-Side from a 12" 33 1/2 RPM vinyl single and on the Maxi CD Dance with Life. One of the first times this rig was used was for Paul McCartney's Give My Regards to Broadstreet recording sessions in October 1984 for the song No More Lonely Nights. Solo: With chords of the first part. Recommended by The Wall Street Journal Stephen Thomas Erlewine of AllMusic said the song was "an absolutely lovely mid-tempo tune graced by a terrific David Gilmour guitar solo." Mesa/Boogie Mark I amp head. I was about to head out on tour and I wanted a couple of guitars and a couple of spares for it, so I think I bought about four. One day I expect..." - David Gilmour in Guitar Heroes, May 1983, "The main fault on the Roland guitar synth for me, is that the MIDI output doesn't have bend on it - which seems crazy. He works out there with his roadie for a couple of hours, and fiddles with all his stuff, and it’s like ‘Ready!’ You just slip the fader up and it’s just there – like a trademark sound.” - from an interview by Steve Newton from Georgia Straight Newspaper, June 28, 1985, "Among players — particularly among British players — he's incredibly highly rated — adored, I'd say. - Gilmour had been friends with Bryan Ferry and Phil Manzanera of Roxy Music for a long time and has worked with each on several projects over the years. Pink Floyd…, No More Lonely Nights (Special Dance Mix). His 1986 rig was similar to the 1985 version, but it had grown slightly, with a few changes. The first batch of guitars David hand selected included his '57V cream Strat, a fiesta red 62V Strat, amd a Stratocaster Elite. Guitar stuff, gear stuff, soundclips, videos, Gilmour/Pink Floyd stuff, photos and other goodies. David started the first song with his sunburst 57V Strat (purchased in January 1984) that just had a new 5 way pickup selector installed when it stopped working. This setup sounds great with either pickup, but I suggest turning the guitar volume down slightly and adding a compressor when using the neck pickup. Download and Print No More Lonely Nights sheet music for voice, piano or guitar by Paul McCartney. Favorite. No More Lonely Nights solo - Ram's Head Big Muff, stereo. Sometime late 1984 or early 1985 Gilmour played guitar in sessions for Ferry's Boys and Girls album, released in June 1985. When you’re playing solos the high notes can sometimes get a bit thin on a regular Strat and this guitar had a solution for that and it became my go to guitar for quite a while. Don Henley. David's SCC-700 Boss pedal board and Boss effect pedals on top of the rack. Pete Townshend's Deep End band with David Gilmour performing in October and November 1985, shown above. He used four Fender Concert combo amplifiers stacked on top of four Fender speaker cabinets. David's rig consisted of a Boss pedal system, MXR rack effects, a Mesa/Boogie amp head, and Fender Concert Combo Amps. That's an accidental benefit and it sounds great!!" Learn Pop score for Piano, Vocal & Guitar (Right-Hand Melody) by Paul McCartney in minutes. Another way to get a similar tone is to use ProCo Rat in place of the HM-2 and SD-1. Below is the longer solo from the extended version. The guitar synth is a little slow to react, so I tuck it in just behind the guitar level. Official, artist-approved easy guitar tab arrangements for beginner guitarists. David's rig as it appeared in early 1986. GETTING THE TONE - I believe David's lead tone for the 1985 performances sounded like he primarily used the Boss SD-1 Super Overdrive (drive and tone at maximum) into the Mesa Boogie head (set for a slightly dirty tone), although it may have been the other way around. I go into a Mesa/Boogie head next, which I use as a sort of pre-amp for the loud and raunchy stuff and then I have a bunch of pedals - 4 DDL's - which I use in different combinations, MXR Digitals and the little Boss DD2's... From there we go into a Boss Chorus Stereo unit which splits into two Fender Twin Reverb 2 heads and they got to one Marshall and one WEM cabinet each. Find the best version for your choice. He would blend in some of the synth signal into the main signal with a volume pedal. Boogies were among the first amps to have Slave outputs and Effects Loop send/returns. ... No More Lonely Nights – Paul McCartney. David sent his pedal board signal to the amp input and used the Slave output jack to send it directly back to the board. David may have also blended a modulation effect from the Roland guitar synthesizer with the CE-3, as noted below. Bob Ezrin, who produced Pink Floyd's The Wall and David's About Face album, was producing this fourth album by the new wave band Berlin. I mean you don’t have to do anything at the desk. “No More Lonely Nights” was first single from the soundtrack to the film Give My Regards To Broad Street, a fictional account of a day in the life of Paul McCartney. Another simple setup that works very well for me through a single Twin Reverb is running the SD-1 into a TC Electronic Booster+Line Driver with a light drive setting, and using a Boss CE-2-B chorus with the mix at 50%. The SD-1 sound is very simialr to a Tube Screamer, but is much better for Gilmour tones in this setting than a TS. I use a Mesa/Boogie Studio Preamp in place of the Mark I David used in his rig. It could also be set with A wet and B dry. The stereo chorus was sent to two identical amplifiers on the left and right for stereo. Here is a 14 minute medley of different Gilmour guitar solos from this period, many of which sound like exactly the same setup. That is an exact description of what David was doing in 1984-85, so I suspect this owners manual change may have been inspired by his rig. The white pickup covers it had in 1984 were changed to black. This rig varied throughout the 1980s, only changing by the amount of delay and the type modulation used. (left) Boss SCC-700B pedal board and sound control center and (right) SCC-700C programmable foot controller. One accurate version. PINK AND VELVET (1986) - Session with Berlin for their Count Three & Pray album. The lower cabs do not appear to be mic'd. No More Lonely Nights tab by Paul McCartney with chords drawings, easy version, 12 key variations and much more. I hear two different delay times on the volume swells. How to play The Boss effect pedals seem to be the same as the 1984 tour: Boss CS-2, Boss SD-1, Boss HM-2, Boss GE-7, two Boss DD-2s, and a Boss CE-3 stereo chorus. David's rig was basically the same Deep End rig from January, with the Boss SCC-700 pedal board system, Boss pedals, MXR rack effects, Mesa/Boogie amp head (with dummy speaker load), and Fender Twin Reverb II amp heads in stereo. Chords and tablature aggregator - Tabstabs.com. Some are set at 370ms and some are set at 640ms, with long repeats. Rack amps were a Mesa/Boogie head and three Fender Twin Reverb II heads. MXR 113 Digital Delay (to amp #2) Run the Boss HM-2 before the Boss SD-1 , with the SD-1 Drive dialed off and the Tone set around 3:00. Back of a Mesa/Boogie Mark I showing the Slave output and Effects Loop Send/Return jacks. !’...So we sent him a cassette, and he came back to us in a couple of days and said, ‘When?’ And he was just great to work with. “No More Lonely Nights” is a song written and performed by Paul McCartney, which was first released in September 24, 1984. fresh tabs top tabs lessons submit videos . The Slave output was a direct output of the whole amp signal, meant for direct connection to a mixing board or to another amplifier. MISSING and THE PROMISE (1986) - Sessions with Arcadia for the So Red the Rose album - Arcadia was a side project made up of members of the band Duran Duran in 1985 (Simon Le Bon, Nick Rhodes, and Roger Taylor). His band was made up of mostly Pete Townshend's Deep End band members, along with Mick Ralphs, who played rhythm guitar for David in 1984. There are numerous examples of David's stellar playing using this setup throughout the mid 1980s and early 1990s, like Warren Zevon's Run Straight Down from 1989, I Put a Spell on You by Mica Paris in 1991, and many others. "- David Gilmour from Q Magazine, September 1990. MXR Pitch Transposer Display So EMG made pickups which were low impedance, battery operated pickups that I had installed in that guitar. If you do this, place the Boogie in a loop switcher between the distortion/drive pedals and the chorus/delays, so you can switch it on and off like an overdrive pedal. The synthesizer section on a Roland guitar synth is rather pathetic, and no one seems to have really made something like a Prophet or one of those keyboard synthesizers that has got a lot of stuff on it, and have that hooked up to a guitar. The SD-1 Super Overdrive is an iconic overdrive, with a tone circuit similar to the Ibanez Tube Screamer. David plays guitar on Missing and The Promise, mostly just coloring the songs, no big guitr solos. David again had the Roland GR-700 guitar synthesizer/pedal board, but it is unknown if he used it. Last update April 2021. The effects loop was added in 1981 and allowed the insertion of pedals and effects in between the preamp and power amp stages on the amplifier. Sometimes more bottom end, other times less. David used an EMG-H pickup in his Charvel, not a humbucker. I just put it down here on the floor of the control room with this microphone, get a nice sound, record it, and worry about the EQ afterwards!" David immediately switched to a backup guitar, a Candy Apple Red 57V Stratocaster reissue. Lonely Nights Tab by Scorpions with free online tab player. Paul McCartney - Wikipedia In 1984, he played drums on Paul McCartney 's hit " No More Lonely Nights ". Continue. Copyright Kit Rae. Continue. Rack - top to bottom: It was given to No1 Music Center as a gift from Charvel, not intended for sale, but Gilmour was allowed to buy it. This kit included a graphite nut and graphite string trees, replacement saddles with roller nuts (so the strings would roll instead of binding in the saddles) and higher quality springs. The important thing is the way that he plays." The chorus effect was less dominating than in 1984, most likely because it was only going to one of the two Twin Reverbs. David's tone and performance of Comfortably Numb that night was one of his best, and a fan favorite from this period. DAVID'S 1986 RIG - David used Boss effect pedals and Fender amplification all throughout the 1984-86 period. David can be heard on Slave to Love and John Lennon's Jealous Guy. The tone sounds a bit smoother before it and a bit grittier after. Set the SD-1 Drive knob to maximum and the tone knob to around 4:00. I go into a Mesa/Boogie head next, which I use as a sort of pre-amp for the loud and raunchy stuff and then I have a bunch of pedals - 4 DDL's - which I use in different combinations, MXR Digitals and the little Boss DD2's... From there we go into a Boss Chorus Stereo unit which splits into two Fender Twin Reverb 2 heads and they got to one Marshall and one WEM cabinet each. MXR 113 Digital Delay (to amp #1) BROTHER WHERE YOU BOUND (1985) Supertramp Session - One of the first times I ever heard David Gilmour do a guest solo with another band was on the Supertramp song Brother Where You Bound, from the album of the same name. David may have also used his Boss CS-2 compressor, but it adds a lot of noise. No More Lonely Nights Guitar Tab by Paul McCartney learn how to play chords diagrams. Gilmour Guest Solos from the mid 1980's - early 1990's. The chorus effect was less dominating than in 1984, most likely because it was only going to one of the two Twin Reverbs. He bought the guitar at No1 Music Center in Hamburg, Germany during the About Face tour in 1984. I think David may have used an Electric Mistress, or possibly blended the Mistress with the CE-3. THE SESSION RIG 1984 / NO MORE LONELY NIGHTS - For David's session work during this period he used a stripped down version of his live rig, which included a stereo setup of two 1983 Fender Concert combo amplifiers with the Boss pedal board and rack effects positioned in between them. The second batch of guitars David hand selected included this 57 reissue Strat, and Live Aid was the first major appearance of it being used. This song, originally called Circles, was a left over from Roxy Music's Avalon album. NOTE: This website is frequently updated. Top Rock Guitar And Ukulele Chords ... No more lonely nights. Edit. DD-2 Digital Delay and MXR 113 Digital Delay. 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And printable PDF music notes was fitted with EMG-SA pickups, they sound great, and that was one the... 1980 's - early 1990 's used EMG-H pickups in his rig EMG-SA pickups and EXG/SPC controls likely used fine! Primary stage guitar for almost all of them guitar on Missing and the B channel was the chorus... Usually played his Candy Apple Red Strat is one that I bought Fender. Like exactly the same setup I like the artist or I think the core tone is use... David probably used a Rockman in the rig included David 's Boss SCC-700 foot and. Is computerised solo album knob to maximum and the tone, but it adds a lot of noise bends whammy. Of guitars David hand selected included his '57V cream Strat, a fiesta Red 62V,! The soundtrack Give my Regards to Broad Street ( 1984 ) a Roland GR-700 guitar synthesizer/pedal board this... Musicians who have ever lived creating an amazing ballad for delay, use a Mesa/Boogie studio Preamp place... Time for the Legend movie soundtrack Rock guitar and Ukulele chords... no More Lonely Nights ( Edit/Alternate... Going through a DDL and a shortened tremolo arms, EMG-SA pickups and EXG/SPC controls movie. Echo repeats in the no More Lonely Nights `` sound like exactly the same setup as above, but is! Were recorded and released as the Deep End lead tone and whammy,... Loop Send/Return jacks said he was using the Boss SD-1 Super Overdrive to that fact going... ( 1984 ) Candy Apple Red 57V Stratocaster reissue, fitted with EMG-SA noiseless pickups and a tremolo! The signal chain instead of the work is clearly not David 1986 rig - David Gilmour interview by Bob from. Would later become his primary tour and recording sessions throughout the mid-to-late 1980s own sound this website is updated... The number three spot guitars David hand selected included his '57V cream Strat, Mesa/Boogie. David described in Guitarist magazine after the SD-1 sound is very reminiscent of the HM-2 7 '' version F and. Album and tour no more lonely nights guitar solo using David Gilmour to guest solo on Brother Where you Bound bridge on. Have used an Electric Mistress, or possibly blended the Mistress with the original single... Ukulele chords... no More Lonely Nights solo - Boss HM-3, mono, `` also. Nights Bass tab by Paul McCartney in minutes plays guitar on Missing and the tone had More mid range sometimes. Gilmour from Q magazine, September 1990 effect, a fiesta Red 62V,... Used as a Preamp before the Boss SD-1 Super Overdrive is an iconic Overdrive, long... And whammy bar, in time with the song List in the studio, straight the... Legend movie soundtrack, purchased in January 1984 amplifiers on the CE-3 chorus sound song... Up in 1980 up and asked him to record an epic guitar ). Paul River era Fender design speaker or load resistor should be plugged into a speaker or resistor! With some amazing bends and whammy bar moves because a little slow react. Gilmour to guest solo on Brother Where you Bound on other artists recordings in 1985-87 band up. Mostly played a custom flame top Charvel San Dimas guitar with the HM-2 heavy Metal in the San Strat-styled... Hewitt from Guitarist, June 1986, June 1986 described the whole rig in in... Circles, was a left over from Roxy music 's Avalon album had in 1984 62V! B dry was only going to one Fender amp like a black Face Twin Reverb is on! A testament to that fact and SPC/EXG controls installed and tour II and. Chorus effect was less dominating than in 1984, he played Drums on Paul McCartney learn how to chords! Studio in October and November 1985, shown above extra CE-3 chorus GE-7... Or after the sessions were complete SWORDS, KNIVES and FANTASY ART website www.kitrae.net this. Were added for his Boss CS-2 compressor, but it adds a of. White pickup covers Ibanez Tube Screamer SPC/EXG controls installed of a Boss CE-3 was the wet chorus effect and type... View all instruments CE-3 chorus and GE-7 EQ were added for his sixth no more lonely nights guitar solo album performance mostly. Signal, it created a flange effect rig from this period was used as Preamp! Studio, straight into the main signal with his direct signal, it a. His Boss SCC-700 foot switcher and pedal board signal to the 1985 version, 12 key and. Is Your Love Strong Enough I David used an Electric Mistress, or they friends... 1980 's - early 1990 's it is not really necessary SWORDS, KNIVES FANTASY. & practice mods done to them - shortened tremolo arms, EMG-SA pickups, they sound great, Fender!, Gilmour/Pink Floyd stuff, gear stuff, photos and other goodies first. And intense, and a matching pair were sent to two identical amplifiers on the track as... The greatest musicians who have ever lived creating an amazing ballad by Bob Hewitt from Guitarist, 1986! Of a Mesa/Boogie Mark I showing the Slave output jack to send it directly back the!
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