Giovanna’s father is a teacher at a prestigious high school and an aspiring Marxist intellectual, “an unfailingly courteous man” whose love and admiration she desperately desires. The moralizing lies of her father and the eroticizing lies of her aunt loom before her like Scylla and Charybdis. Soon Vittoria is describing sex with her now-dead lover in terms equally fascinating and repulsive, concluding: "If you, in all your life, don't do this thing as I did it, with the passion I did it with, the love I did it with, and I don't mean eleven times but at least once, it's pointless to live." For the next step, you'll be taken to a website to complete the donation and enter your billing information. The uglinesses of all these books’ Naples are subtly different; laid atop one another, their imaginative maps form a harmonious, ever-expanding palimpsest, but not a single plan. Save $10 when you subscribe for a whole year! Men and women pass it around in moods of generosity, spite, lust, possessiveness or care. This book has mothers, daughters, dolls, bracelets, insufferable intellectual men — all the things that Ferrante’s earlier works contain. The catalyst is Roberto, a classic Ferrante love interest. As non-novelists—teachers of the classics, proofreaders of romance—their lies borrow tropes from the fiction they produce and consume: romantic idealization, passivity in the face of passion, a feeling of fatedness. Read Book Summary © 2020. The things she has been raised to believe beautiful — like her parents’ relationship and the institution of marriage, and ultimately, the romantic ideals of true love and passion — rapidly grow as brittle as flaking gold leaf. Readers of Ferrante are trained to recognize that conventional beauty — or its frequent companions, goodness, or purity, or fidelity — are the lies the adults of the novel tell themselves to stay dully serene atop the calm surface of life. This website uses cookies to improve your experience while you navigate through the website. “To tolerate existence, we lie, and we lie above all to ourselves,” Elena Ferrante observed in a 2002 interview. Always, Ferrante’s fiction reminds us that sometimes you need someone else to help gather the scattered fragments of your existence. "[The Lying Life of Adults] is highly addictive." This is where background reading in her short early novels or the Neapolitan Quartet can offer readers a strong foundation in the workings of this particular world: caught between the powerful torque of the ugly truth — that unruly force that twists with a kind of hideous grace — and the order-making yet fragile veneer of polite deceit. - Elle (Italy) [11][12][13][14], "La vita bugiarda degli adulti - Elena Ferrante", "Elena Ferrante, il nuovo romanzo si chiama "La vita bugiarda degli adulti". A powerful new novel set in a divided Naples by Elena Ferrante, the beloved best-selling author of My Brilliant Friend. It rarely lasts, as Ferrante knows, but as long as it does, it allows Giovanna to live lies that only intensify the desire they seek to suppress. Cooking from Scratch with Shereen : Because You Can! For Ferrante, lies, like literature, cleave to different genres, each with its own conventions of language. Many of the essays responding to The Lying Life of Adults so far emphasize its grounding in “Ferrante’s Naples,” an imaginary locale that’s already become as neatly packaged a tourist construct as “Joyce’s Dublin” or “Faulkner’s South.” I get it — it’s very tempting to place all of the books in an extended Ferrante universe. 324 pp. Instead of allowing the specific miasma of the Neapolitan Quartet to seep out and move through Ferrante’s other work, we must be suspicious of the smoothing processes of amalgamation or incorporation. Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), which was made into a film directed by Roberto Faenza, Troubling Love (Europa, 2006), adapted by Mario Martone, and The Lost Daughter (Europa, 2008), soon to be a film directed by Maggie Gyllenhaal. In so doing, we get the feeling that Giovanna is, unlike the lying adults she leaves behind, somehow ready to experience the world as it really is, endlessly expansive. What kind of novel is best at transforming lying into an art form and fiction into a truthful lie rather than mere consolation? “I’m not wise, but I read a lot of novels,” Giovanna says of her education in lying. Gentility, manners and even ideals have no power over sex, which is for Ferrante's characters an almost ungovernable force. Netflix and Italy’s Fandango are combining their powers together to develop a series based on the latest novel released by Italian novelist Elena Ferrante The Lying Life Of Adults..

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