Voices of Kelly Macdonald as Princess Merida; Emma Thompson as Queen Elinor; Billy Connolly as King Fergus; Kevin McKidd as Lord MacGuffin/Young MacGuffin; Robbie Coltrane as Lord Dingwall; Craig Ferguson as Lord Macintosh, Mark Andrews, Steve Purcell, Brenda Chapman. "He returns again in "Robert the Bruce," which he co-produced and co-wrote, as well as playing the title role. As a mother, Elinor feels compelled to help prepare her daughter for the real world, but as a growing woman, Merida feels that she should have more control over her own life. Merida is convinced that the spell will change her fate. Magic coats the Scottish highlands like so much dark frosting. In fact, after this review, it's easy to recommend Brave … Back in the castle, she slices through a tapestry depicting her family—severing Elinor from Merida’s side. All of which sets up Brave as a bit of a disappointment … except in the area of its familial lessons learned by both mother and daughter. But Merida’s not done. The struggle between the two women that results is entirely natural. by Raven Clabough June 26, 2012 0 Comments 0 Views340 . And of course the animation is amazing. Merida is not the traditionally portrayed sensitive, fragile princess. I have yet to see a Disney Pixar film that I did not thoroughly enjoy, and its most recent installment Brave keeps that record intact. For sensitive, younger kids, Brave may well spark a nightmare or two. And of course the animation is amazing. Full of powerful themes and amazing visuals, it should prove to be appealing to both younger male and female audiences, as well as to parents. Created by Dean Georgaris. Rather, it’s something more in step with the story’s ancient Scottish setting: Here, magic is mysterious. Merida increasingly feels like she is not the master of her own life, but simply her mother’s puppet. But as is the case with any quick fix, the spell quickly goes terribly wrong, and Merida finds herself on a quest to undo the damage she has created before it is too late. Feel free to follow him on Twitter @AsayPaul. Ever since the release of Toy Story in 1995, the studio has dazzled us with some of the finest, most family-friendly movies ever. “The Brave”, despite a cheap-looking cover which promised a bunch of washed-up actors fighting for a paycheck in God-forgotten third world country – turned out to be a pleasant surprise. The lessons are relentless, and with each new rule, familiar scold and look of disappointment Elinor piles on, Merida feels as if her life’s not her own. Overall, Brave is a wonderful story featuring relatable content. We also hear a great deal of talk about “fate” and “destiny,” usually pushed into the realm of social expectations more than anything spiritual. It feels like a standard issue super-sophisticated Pixar movie with the super-sophistication removed. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. It also resembles the robust Viking world of lovably grumpy clan chiefs and wimpy kids in another DreamWorks animation, How to Train Your Dragon. The film also portrays true sacrifice that can only come from unbending love. She and her husband, King Fergus, smooch, which makes Merida pretty uncomfortable. But it asks us to remember that when you strip away all the differences and all the hurt, the bond between mother and daughter is a thing of transcendent beauty. There’s a reason why Romans built a wall between England and Scotland. And a dish of haggis induces gags. In a breathtaking moment of rebellion, she competes for her own hand and wins it, enraging the lords and infuriating the queen. Results for {phrase} ({results_count} of {results_count_total}), Displaying {results_count} results of {results_count_total}. Cinderella’s wanted to lock her up. A woodcarving mimics Michelangelo’s painting of God and Adam from the Sistine Chapel, only the figures are bears. In Brave, Merida grows up before our eyes—not physically, but emotionally. The argument grows uglier, and Merida flees from the castle with her face as red as her lashes, tears streaming down her cheeks … as she finds herself in the cottage of an old, mysterious witch with a passion for woodcarving. We don’t see Fergus lose his leg, but we do see some of the confrontations with bears—battles that involve swords and arrows and claws and teeth. “Change my mom,” Merida says. It is exciting on a number of levels, and humorous for all moviegoers. The complex world of our bravest military heroes who make personal sacrifices while executing the most challenging and dangerous missions behind enemy lines. They’re not just magical: They’re practical. Magic coats the Scottish highlands like so much dark frosting. Brave has a certain inoffensive charm, sometimes, but it is often bafflingly uninteresting as a story. Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. There was a time when Pixar movies worked gloriously for adults, teens, tweens, small kids, everyone; this one is unsatisfying for all ages. She discovers that her mother, far from being a beast, has loved and cared for her as much as anyone. “That will change my fate.”. She’s to be the grand prize in an archery contest, and whatever union results won’t be of love, but of duty—duty to the clans and the kingdom. But what is so beautiful about the film is that it also underscores the underlying truth to nearly every mother/daughter struggle-that once those differences are stripped away, what remains is an undying love and an unbreakable bond. (They’re shown from behind.) That she’s imprisoned in a world of her mom’s making. Lords moon one another. And unlike the clichéd children’s films, there is no true antagonist here. It is eerily bland, with none of the zingingly funny lines and smart self-awareness we've come to expect from Pixar; yet it doesn't obviously appear to be pitched at very young kids, either, and doesn't quite have the necessary unforced simplicity.

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