It is, no doubt, an issue many women working in Hollywood have likely had to grapple with, considering the sheer glut of Complicated Male Antiheroes that exist in media narratives right now. Bojack Horseman is a reprehensible, yet relatable character, but he always feels the consequences of his actions, eventually. He’s drank and caroused and just generally burned his life down, over and over again. But hers is not a story that doesn’t pass the Bechdel Test: it also looks at the tokenization of female writers in Hollywood. There’s a particularly insightful conversation between Diane and her editor, Stefani, where Stefani urges Diane not to hold herself to the same ridiculously judgemental standard of their clickbaity takedowns, because life is already unforgiving enough. Major, major spoilers for season five follow. Bojack is in a better place; he’s nicer, less intoxicated, and is actively contributing to the happiness of those around him, or at least, trying to. The world is not divided into two simple shades of good and evil - if only it were that simple. BoJack continues to soar in Season 5 with its timely self-reflection, finally bringing the character to a new place. At one point, Bojack even uses the character to excuse his own failings, but is that the full story? These ideas course through the season, with each and every character longing to avoid responsibility for something they’ve done — be it playing a part in a crumbling marriage, not breaking up with someone who’s not going to be a good long-term partner, or the darker deeds of BoJack. Not anymore. A few weeks of decent behavior can’t take it all back - people have just stopped caring for him. Insecure dropped a big reveal in its latest episode. Thus, Diane reaches the conclusion that it’s not “Philbert,” it’s Bojack, and his simplistic view of himself as a “bad person” that is the problem. Imagine trying to write a show about a casually sexist, very angry and depressed, unmoored man(horse) in 2018. We can certainly condemn toxicity, but we could do without the “holier-than-thou” mentality - we already tried that with organized religion, and it didn’t work out so well. But the series remains as winning and funny as ever alongside all of this, and possessed of a confidence in its ability to do whatever it likes — including staging an episode where two characters who seemingly have nothing to do with the main plot fill us in on the other characters’ adventures anyway. If there is a reason BoJack can remain our protagonist, it’s because he, however fitfully, makes a few steps forward every season. Dire, long-term consequences stemming from stupid, hedonistic decisions is a theme that’s come to define this show, grounding this surreal animal-verse into cold, hard reality. While Bojack Horseman has always explored the process of trying (and failing) to improve, season 5 has been all about false starts, surface-level improvement that fails to dig deep. It just might be the single best TV show in production right now, with great laughs but also rich, thoughtful character depth. Time's up for BoJack Horseman's fifth season, and the time has come to make a choice. The show didn’t need it. There’s a marketing poster which places Bojack Horseman in the same category as other popular male anti-heroes, the bad-boy role models - Tony Soprano, Frank Underwood, Donald Draper, and now, Bojack Horseman. Just like Bojack Horseman. Gina is faced with a terrible choice - be defined by that terrible moment for the rest of her life, or pretend it never happened, to laugh with the man who assaulted her on-camera and convince the public that Bojack is a nice guy. From Character Actress Margo Martindale, to Aparna Nancherla, to Jessica Biel and more, this season continues to be an embarrassment of unexpected but delightful riches on that front, in particular thanks to the vocal stylings of Wanda Sykes and Issa Rae. Hopefully, her entering a dark tunnel isn’t foreshadowing for tragedy. That’s a problem, because as Bojack happily lets Gina soak up her newfound fame (a huge deal for the equine egomaniac), he secretly indulges in his painkiller habit, which at some point, morphs into an addiction. And true to form, Bojack’s greatest mistake has come back to haunt him yet again, as a recording of Bojack admitting what almost happened with Penny falls into Diane’s lap. Get our newsletter in your inbox twice a week. (If Will Arnett doesn’t win an Emmy for his voice performance, it will be a bigger travesty than usual.) I write about film, television, pop culture, and other fun stuff. View all 1664 stories The world is not divided into two simple shades of good and evil - if only it were that simple. The Supreme Court ruling on Pennsylvania mail-in ballots is a blow to GOP — but the 4-4 vote should scare Democrats. That’s the hard part.”, And our storytellers have a responsibility to tell tales that don’t glamorize destructive behavior, (although the extent of their influence on society is questionable, it surely has an impact). Mel Gibson was on the show’s writers’ mind, BoJack Horseman’s creator ponders when — if ever — the series should end. The show didn’t need it. Sign up for the He wants someone to slot him into the role of villain, because he knows that he has acted like a villain and might still do so again. (Or, rather, a horseman, but you get the point.) It’s a point that doesn’t go unnoticed by Bojack, and it only worsens his mental state. But she helps him because it’s the right thing to do - she doesn’t care if he gets better or not. TV Reviews BoJack Horseman 9/14/18. Dire, long-term consequences stemming from stupid, hedonistic decisions is a theme that’s come to define this show, grounding this surreal animal-verse into cold, hard reality. By Kevin Yeoman Sep 14, 2018 John Cornyn becomes the latest Senate Republican to ramp up criticism of Trump. There’s a sense of reconciliation and hopeful forward momentum that permeates the arcs for every character, and it’s nice to see a bit of hope in a show that’s always preferred to go deeper down into the depths of darkness. The rest is up to him. Luckily for the titular horse, the big season reveal downgraded him to half-brother, a role he is slightly less terrible at, and Bojack ended the season with a commitment to improving himself, not only for him, but for his new family member. But it's also ridiculously funny. proves to not only to be a ground-breaking animation, but one of the most insightful stories on television right now, managing to maintain a weird, wonderful balance of depth and absurdity. It’s not nearly enough for Bojack to say “don’t choke women,” he must actively contribute to changing the narrative, or he’s just another Hollywoo hypocrite. Cornyn is among the lawmakers campaigning for reelection who have signaled distance from the president. And true to form, Bojack’s greatest mistake has come back to haunt him yet again, as a recording of Bojack admitting what almost happened with Penny falls into Diane’s lap. The reset button is hit. That is the Herculean emotional task BoJack Horseman has decided to lean into in its fifth season, and it is honestly thrilling to see a series interrogate itself and its antihero to such an effective (and entertaining) degree. Indeed, their simplistic, opinionated articles might just be making the problem worse. But Diane’s shady sexual behavior with Mr. Peanutbutter pushes Diane into the realization that Bojack, and others, are hellishly flawed, but who is she to judge? Nothing really changed. It’s the most important election in our lifetime, and it always will be. It’s a relevant bit of criticism of Philbert, but also doubles as a lampoonery of self-important prestige TV and of BoJack himself. This season, this particular message is highlighted by the fact many of the people in Bojack’s life try to steer him in the right direction for their own self-interest. He’s helped out many friends, and in the show’s fourth season, he was a surprisingly stable rock for the woman eventually revealed to be his half-sister, who found herself trying to track down her roots (she was given up for adoption) and instead found... BoJack. "Something has to change," is the thesis of the whole season, on macro and micro levels, for every character - and it’s nice to see a show push itself in ways that may challenge how we, the viewers, interface with the stories we love. (BoJack physically assaults his female co-star and lover this season, in an on-set stunt that goes horribly wrong partly because he’s so high.) It’s unlikely that Bojack will ever have that happy sitcom ending - he might just have to settle with being “ok.”. And here is where the season has the most profound point on #MeToo - Bojack has just done something outright unforgivable, yet the show must go on. While Hollyhock is supportive and loving, there’s absolutely nothing she can do for Bojack, other than to make him promise never to take painkillers again ... unless he gets into a terrible accident. The series also continues to play with episodic structures with poetic results. Rinse, repeat. It’s clear that Philbert is becoming less of a role and more of a dark alter-ego, a place where the most unsavory elements of Bojack’s personality can fester. Though the characters begin the story separated, they slowly come together through the show at the center of the show, and. There's a 50-50 Chance We Really Are Living in a Simulation, Scientific Study Determines Sinister Is the Scariest Movie Ever, 5 Truly Twisted Horror Movies Worth Watching (Once), 19 Weird New Facts We Learned About Star Wars, The Batman Is Utilizing The Mandalorian's Virtual Production Method, Borat to Stream on Twitch With DrLupo in a 'Battle for Global Supremacy', Here Are the Best Graphics Cards From Both Team Green and Team Red, BoJack Horseman is one of the best portrayals of mental illness in pop culture, Things Ghost of Tsushima Doesn't Tell You. Thus, Gina publicly absolves Bojack of wrongdoing, increasing the guilt on Bojack, who now seeks some form of redemption. And what’s not to like about a show that includes some of the best guest stars in the biz, getting existential and philosophical about love, life, and what time it is right now? BoJack Horseman continues confidently down the thematic rabbit hole with a fresh and poignant season that's as devastating as it is hilarious. If you’ve loved BoJack in the past, you'll love where it seems to be heading next. Without a doubt, the highlight of the season is the series’ more emotional investigation of its women, like Princess Carolyn and her maternal woes, and Diane, who is fully in crisis after the disintegration of her marriage to Mr. PeanutButter. So with the help of Diane, “Philbert” becomes less of a show about a bad man doing bad things while looking cool, and turns into the story of a man haunted by said bad things, a show about dealing with repercussions. Season five might feature his blackest pit yet, but it also features genuine moments of kindness between him and his friends, and what might amount to his most successful relationship yet on the show — before he destroys it with his actions, that is. It’s a full episode’s worth of grappling with what it means to be someone’s child and maybe someone’s parent, with how hard it can be to have traumas you weren’t privy to visited upon you by a parent, with the challenge of accepting that you might have inherited their damage, might literally be carrying their time bomb in your genes.
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